Today is the first anniversary of the Rana Plaza clothing factory collapse in Bangladesh were more than 1100 people died, over twice that number were injured and around 800 children orphaned; tied into a global system based on production of cheap clothes that are ‘consumed’ in high volumes in the West (see an earlier post here). It is both a day for reflection and action. For reflection on the relationship fashion has with its supply chain, with citizens, with the environments in which resources are cultivated and utilised. And for action, for to wear clothes is to realise the agency inherent in getting dressed each day, the political power, the potential to act in ways other than that which the dominant system assumes we will. And so on 24th April, on Fashion Revolution Day, garments are being worn inside out, to reveal the label, the seams, the stitching and labour ‘hidden’ in the garment, and to put pressure on the brands who sell us these clothes to be transparent about their supply chain. The hope is that such openness leads to improvement (see related post on transparency here). That the attention that full disclosure brings, creates a flow of positive energy for change. Only then perhaps we can begin to honour the memory of those who lost their lives in the Rana Plaza complex and the numerous other workplace tragedies that have taken place in recent years.
Archive for April, 2014
The day-long Craft of Use event at London College of Fashion marking the culmination of the latest phase of research on the Local Wisdom project, passed by in a whirlwind of performance theatre, presentations, interactive workshops, sound installation, discussion and poetry by the remarkable Sabrina Mahfouz written for and on the day. The writer and design thinker John Thackara commented about the event that, “It felt as if a huge, immobile mass (the inevitability of growth and destruction) was creaking and cracking as if ready to fall away…”. And for Avner Offer, Chichele Professor Emeritus of Economic History at University of Oxford, it was “deeply satisfying… to be immersed in so much joy. Beyond expectations: an oasis of creativity and concern.”
A summary of the day will be available soon. And the Craft of Use book will be published by Routledge in 2015.
All images by Ana Escobar.